Since 2007, creative agency Pentagram have produced a range of identities for each iteration of the Festival - responding to, and anticipating, trends in design and typology. While the Festival's colour theme of white on red has been consistent, Pentagram have adapted each brief to produce distinctive visual identities to ensure that each edition of the Festival stands alone.

Dominic Lippa, of Pentagram, has been involved for the past ten years in the design of the Festival's graphic identity:

'Red is the colour of London; the buses, the phone boxes and the pillar boxes ... the brief was just to make it impactful, and in a way that's never changed each year.'

Graphic Identity 2016

Taking inspiration from Eames' belief that design is in the details, Pentagram produced its tenth identity for the London Design Festival in 2016.

Graphic Identity 2015: Design Takes London

A s

election of emphatic newspaper-style statements draw

attention to the Festival and the city it occupies. These are

visualised in the the style of a series of posters applied

repetitively and frenetically over the existing cacophony of

advertisements in the urban environment – expressing both

the physical dominance of design during Festival week and

the charged atmosphere that surroun

A s

election of emphatic newspaper-style statements draw

attention to the Festival and the city it occupies. These are

visualised in the the style of a series of posters applied

repetitively and frenetically over the existing cacophony of

advertisements in the urban environment – expressing both

the physical dominance of design during Festival week and

Every year London Design Festival brings a city-wide celebration of design to London.A selection of emphatic newspaper-style statements draw attention to the Festival and the city it occupies. This route references the newspaper bulletin boards, wheat-paste posters and flyers  that would have been used to raise awareness of events in days gone by.

 

A s

election of emphatic newspaper-style statements draw

attention to the Festival and the city it occupies. These are

visualised in the the style of a series of posters applied

repetitively and frenetically over the existing cacophony of

advertisements in the urban environment – expressing both

the physical dominance of design during Festival week and

the charged atmosphere that surrouEvery year The London Design Festival brings a city-wide celebration of design to London.A selection of emphatic newspaper-style statements draw attention to the Festival and the city it occupies. This route references the newspaper bulletin boards, wheat-paste posters and flyers  that would have been used to raise awareness of events in days gone by

Graphic Identity 2014: Lose Yourself in Design

London is a huge and unplanned city where even the most experienced visitors can lose their way. For 2014 Pentagram honoured London’s chaotic nature by challenging visitors to “Lose yourself in the London Design Festival”. This sentiment inspired the maze graphic. The maze graphic is a distinct break from the typographic London Design Festival identities of previous years. It invites visitors to explore the festival without an agenda and stumble upon events that they may not have attended otherwise.

Graphic Identity 2013: Design is Everywhere

For London Design Festival 2013, Pentagram developed a theme titled 'Design is Everywhere', reflecting the fact that design is involved in every aspect of our lives, from doorhandles to cities.

Graphic Identity 2012: Celebrating 10 Years of Design

In 2012, London Design Festival celebrated its 10th anniversary. Pentagram produced a visual identity which drew attention to the achievements, and future ambitions, of the Festival.

Graphic Identity 2011: Design from all Angles

For the 2011 edition of the Festival, Pentagram responded by producing a visual identity which played with fragments and angles - distorting and disrupting typography to produce an active, and dynamic, visual experience.

Graphic Identity 2010: Facts and Figures

In 2010, Pentagram produced a theme which made use - for the first time - of an expressive brushwork style of typography, departing from the cleaner look which had preceded it.

Graphic Identity 2009: Be Bold, Make a Statement

For the 2009 edition of the Festival, Pentagram's identity urged visitors to look at design as a way of making a statement. The graphic identity echoed this, drawing a clear line between design, identity, and expression.

Graphic Identity 2008: All Things Design

In 2008, the Festival invited visitors to think about - and explore - design from a variety of perspectives and disciplines; from graphic design to interiors, video games, and urban planning.

Graphic Identity 2007: Painting the Town Red

2007 was the first year in which Pentagram designed the Festival's graphic identity. With 'Painting the Town Red', the agency observed that 'LDF is an opportunity for London to have a voice and a presence. For the first one we did we used a very fractured typeface and built the theme around that'. The fractured theme offered an opportunity to break open design as a diverse and creative practice, where innovation walks hand in hand with iconic designs and materials.

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